A Look into the Mastering Mindset– A Mastering Engineer’s 11 Commandments for a Smooth Project. In the September 06 issue of
Recording Magazine, Airshow’s Dominick Maita offers his best advice for getting the most from a mastering session. Reprinted with permission.
Single Slice: Hawthorne Heights
In the August 2005 issue of
Pro Audio Review, Strother Bullins examines
the mastering of
Ohio is for Lovers, a single by the Victory Records band.
Dominick Maita mastered the project in 2004.
Masters of Sound
In its Sunday 1/16/05 Arts section,
Boulder Daily Camera music writer Matt Sebastian
sits in on a mastering session at Airshow and explains the esoteric process.
Sister Studios Combine Friendship with Top-Notch Audio
Mix Magazine contributing editor Barbara Schultz chronicles Airshow's growth
from one studio in VA to its current set-up. Reprinted from the Dec 2004
issue with their permission.
Dude, Where's My Download?
Airshow assistant engineer Dave Henry documents the role mastering plays in
delivering high-quality concert downloads, based on Airshow's work with String Cheese Incident.
Fade Out...Making the Most of Mastering
In this Guest Editorial, David Glasser offers his eight tips for producers and
engineers to get the most they can from a professional mastering session, and some
thoughts on resolution, high- and low-. Reprinted with permission of
Recording Magazine,
July 2004.
Surround Sound Overview
In this Tech Feature, David gives the readers of
Performing Songwriter Magazine
a primer on surround and high-resolution audio. Reprinted from the December 2003
issue with their permission.
Surround Professional Forecasting the Future of SACD
Richard Tozzoli of
Surround Professional tours
Airshow's newest rooms in Boulder; Studio C for mastering and the Home Away
from Home Studio for multichannel mixing. Bonus is David Glasser's guest
editorial on the state of SACD production tools. Reprinted from the June 2003
issue with the permission of Surround Pro Magazine.
Antique Audio Heather Johnson of
Audio Media Magazine
interviews Matt and David on
the technical challenges encountered in creating the seminal blues box,
"Screamin' and Hollerin' the Blues: the Worlds of Charley Patton." Reprinted
from the 9/02 issue with their permission.
Two Sides of the Disc editors from
Recording Magazine interviews
David Glasser and Doug Sax. Reprinted from 10/01 Issue of
Recording Magazine with their permission.
Post-Production: the Red-haired Stepchild of Creating a Retail-ready CD
Bill Parsons of
Performing Songwriter Magazine surveys the state
of mastering, graphic design and duplication, including interview with
David Glasser and our friend Micah Soloman of Oasis Duplication. Reprinted
from 12/01 issue with their permission.
